Going out with Jean Andrews was like going out with the governor: From the Silk Road to the mountains of Costa Rica to the capital of Texas, she seemed to know everyone, and everyone seemed to know her. You could always find her in a crowd despite her diminutive physique because all present remembered where they had last seen her. If she invited you to a benefit, you quickly learned that you would be sitting at the VIP table because, although she had failed to mention this herself, Jean was the major donor.
I met her for the first time when Kat Helmle, her assistant of over 20 years, rented the NCHM for an art sale benefitting Jean’s foundation. Having worked at the museum only several weeks, I expected a modest turnout and a few paintings. Instead, there was a stampede to purchase a body of work that ranged from art school to the present and comprised oils, botanical prints, and books. I ran into friends of my own I hadn’t seen in years who happened to be groupies of Dr. Jean. There were stacks of early Conte crayon life drawings I couldn’t resist buying that were just as lovely and lyrical as anything she ever did. The talent, focused late in life, was innate.
Members of our Friends of the Neill-Cochran House Museum community are accomplished in their fields; Jean was a master of many. From Kingsville, Texas, Jean Andrews attended the University of Texas at Austin where she studied fashion design and earned a B.S. in home economics – now human ecology. She earned a master’s in education from Texas A&I (now A&M Kingsville) and a PhD in art from the University of North Texas — the first awarded in that department. She was also the first woman to be named to the Hall of Honor in the College of Natural Sciences at U.T. and also received the Distinguished Alumna Awards from both U.T. Austin and North Texas.
Jean collected folk art and textiles from all over the world, along with seashells; she wrote about them and painted them. Her book jackets announced, “Written and Illustrated by Jean Andrews.” All of them – and it’s quite a list:
- A Field Guide: Shells of the Florida Coast
- Red Hot Peppers
- The Pepper Lady’s Pocket Pepper Primer
- The Peppers Cookbook:
- 200 Recipes from the Pepper Lady’s Kitchen
- The Pepper Trail:
- History and Recipes from Around the World
- The Texas Bluebonnet
- An American Wildflower Florilegium
- Texas Monthly Field Guide:Shells of the Texas Coast
- Peppers: the Domesticated Capsicums Texas Shells: A Field Guide
- Shells and Shores of Texas
- Sea Shells of the Texas Coast
One of her final acts of generosity was directed toward the museum. Shortly before her death in January, she and Kat
invited us to discuss a bequest to the Neill-Cochran House. She had always supported the museum with her presence — even when she couldn’t hear what was going on that well. (If she misheard something, she laughed at herself to make you comfortable.) She was one of fifty founding members of the Friends of the NCHM with a generous contribution, In addition to her museum bequest, Dr. Andrews endowed visiting university lectureships, scholarships, and two faculty fellowships.
Known as the Pepper Lady (a moniker she actually trademarked) for her pioneering work on the Capsicum, Jean’s life had a sadder side. She was frank about the serious difficulties that included losing her daughter Jinxy at fourteen. These travails postponed her many accomplishments and global travels but they never made her bitter; they made her generous. Zipping around in her little peppery car or one-on-one, she was funny and salty, gracious and giving, courageous and intrepid. There was no one like Jean — a tiny person who leaves a huge hole in the world. First and last, she was a Friend.




Make new Friends and Keep the Old . . .
From time to time we have visitors who have unwanted objects or ephemera that they will offer to us. Recently, a couple from Arizona told their NCHM docent about a scrapbook that had belonged to a distant family member from Austin, Mary Raymond. I recognized the name as being among Austin’s early elite. James Raymond was a five-term chief clerk of the Texas House of Representatives. After annexation, he served as state treasurer. He lived in an Abner Cook House (on the current site of Austin’s Waterloo Records at the intersection of current Lamar Boulevard and West 6th Street). He knew Mr. Cook, Governor Elisha Pease, John Swisher, and Samuel Haynie – characters we speak about routinely at the Neill-Cochran House Museum.
The visitor, Doug Freeman (who is a friend of Friend of the Neill-Cochran House Museum member Priscilla Murr) followed through with his promise to send the scrapbook. Dr. Murr delivered it herself along with a warning that the book was fragile and that, although curious, she had not been able to open it in good conscience. In addition to the scrapbook, the box contained an autograph book belonging to Miss Mary Raymond that was begun in 1879.
This little gem was in fine condition, and looking inside it was like opening a little
window into Mary’s life. Her friends, in keeping with the tradition of autograph books (I had one in the 6th grade (1959), as did my mother when she was in sixth grade (1937) imparted aphorisms along with perfect cursive signatures. Mary had many “true friends” according to the complimentary closings of her cohorts who signed their autographs and imparted their pearls of wisdom. Poems showed off more handwriting for good or ill. (One entry is unreadable but all the others are wrought with the care of a master calligrapher – shocking to citizens of a world in which cursive writing is no longer taught in public school!) In addition to words, beautiful gouache paintings of flowers and butterflies and embellished transfers adorn some pages, with others decorated by the painting-impaired with stickers. Young Mary studied music, apparently, and the book contains a folded program from a piano recital during which Miss Raymond appeared several times – as a soloist and in duet.
The book spans the times between 1879 and 1882. Googling Mary, one sees that the Austin Genealogical Society has her graduating from an Austin school in 1882-83. It doesn’t list the grade, her age, or the school; but one of her friends whose autograph and philosophy appear in the autograph book is listed with her – Mollie Leonard. At the back of the book were two poems with no attribution, each perfectly typed and each with a handwritten admonition: Please Return (underscoring, Miss Raymond’s). One of these poems begins “Within the confines of this bounded life/A perfect thing is rare…” I don’t know much about Mary’s life; that it was bounded by birth and death, though, is certain. We will be talking about her decade – the one which saw her as an adult – this fall for Modern Times, so the timing of her appearance (in autograph-book) couldn’t be better. That rare, perfect thing.